Inspirisan
tekstovima zapisanim na zlatnim plocicama, vodičima za podzemni svet koji su
u orfičkim ritualima korišćeni da isprate mrtve do konacnog odredišta,
Fragmenti se tiču psihološkog kvaliteta prostora, njegove upotrebe u
arhiviranju pamćenja, odnosno transformacije prostora u svojevrsno pozoriste
sećanja. Svaki dan, nekoliko godina unazad, dokumentovao sam jutarnje
promene u jednom pejzažu, kroz beleške i fotografije. Rezultati tog rada
predstavljeni su u vidu video instalacija, digitalnih slika i muzike.
Inspired by the texts inscribed on golden plates, the
guides to the Underworld, those that were used in the Orphic burying rituals
to accompany the deceased, the Fragments are about the psychological
qualities of places, its use in archiving memory, and the transformation of
a place into a theater of memory. Every day, for several years, I documented
the changes of a landscape, through writing and photographs. The results
have been presented in form of a video installation, prints and a music
piece - a chant of texts from my daily notes.
Dejan
Atanacković živi i radi u Firenci i Beogradu. Predaje
multimedijalnu umetnost na američkom univerzitetskom programu SACI u Firenci
od 2000. godine. Realizuje multimedijalne izlozbe i projekte javne
komunikacije od 1994. Odabrani projekti: Perfect Future (1999-2001), Golem
(2003-2004), Orphic Fragments (2006), Beskraj u okviru (2004), Outside
Project (od 2005), Beograd: Drugi pogled (2009).
Dejan Atanacković
lives and works in Belgrade and Florence. He teaches multimedia art at the
US university program SACI in Florence. His multimedia exhibitions and
projects of public communication have been presented internationally since
1994. Selected projects: Perfect Future (1999-2001), Golem (2003-2004),
Orphic Fragments (2006), Beskraj u okviru (2004), Outside Project (od 2005),
Belgrade: Another Gaze (2009).
